“PHOTOS: Maisie Hurley Collection,” BC Studies 167 (2010): 97-104, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/1956/1953.
Results (569)
“Fred Herzog and Jeff Wall: Exploring Topography in Vancouver Through Photo-Based Art.” Carleton University, 2022. https://doi.org/10.22215/etd/2022-15042.
Theses Dissertations and Graduate Projects history Post-Confederation visual arts
“Experiments in Visual Art, Alternative History and Community Collaboration,” Canadian Review of Art Education, Research and Issues 1, no. 41 (2014): 97-116.
Prior Editions: 10 Years of Canadian Printmaking. Burnaby: Burnaby Art Gallery, 2005. 33 pp. 0973825111.
“Educating the Eye, Hand and Heart at St. Ann's Academy : A Case Study of Art Education for Girls in Nineteenth-Century Victoria,” BC Studies 144 (2005): 31-59, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/1742/1787.
Eternal Network: Video From the Western Front Archives, 1973-2001. Vancouver: Western Front Media, 2003. 0920974422.
Books and Chapters in Books history Post-Confederation visual arts
“Autoethnography and Material Culture: The Case of Bill Reid,” Biography 24 (2001): 242-258.
The Life and Art of Arthur Pitts. Unheralded Artsts of BC no. 10, Salt Spring Island, BC: Mother Tongue Publishing, 2017. 144 pp. 9781896949628.
Books and Chapters in Books biography history Indigenous visual arts
“Studio Visit: Vincent Massey. Whistler, British Columbia, Canada,” Ceramics Monthly 7, no. 65 (2017): 26–29.
Emily Carr. Vancouver: Vancouver Art Gallery, 1992. 48 pp.
“Books and the Historical Photograph,” BC Studies 52 (1982): 157-165, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/1114/1158.
“A Fair Wind Blowing, Richard Maynard's Tours on HMS Boxer, 1873-1874,” Photographic Canadiana 12, no. 4 (1987): 2-5.
“All the Latest Improvements: Vancouver Photographic Studios of the Nineteenth Century,” Material History Bulletin 22 (1985): 49-52.
“Beyond words: C.S. Bailey's photographic life,” Vancouver History 19, no. 3 (1980): 17-28.
TransFormations: Ceramics 2005. Burnaby: Burnaby Art Gallery, 2005. 52 pp. 0973825103.
Transitions of a Still Life: The Ceramic Work of Tam Irving. Vancouver: Anvil Press and the Burnaby Art Gallery, 2007. 127 pp. 9781895636833.
The Last Wild Wolves: Ghosts of the Rain Forest. Vancouver: Greystone Books, 2007. 192 pp. 9780520254732.
Books and Chapters in Books environmental studies visual arts
“W.J. Phillips — a Canadian master of the colour wood-cut,” Amphora 47 (1982): 2-5.
The Transforming Image: Painted Arts of Northwest Coast First Nations. Vancouver / Seattle: UBC Press / University of Washington Press, 291 pp. 0774804270.
“Elaine Briere, Portrait of an Activist,” Pacific Rim Magazine 4 (1993): 38-39.
Ian McDonald: Boys and Boxes. Kamloops: Kamloops Art Gallery, 2007. 48 pp. 9781895497700.
Scott McFarland: Cabin Photographs. Vancouver: Contemporary Art Gallery, 2003. 47 pp. 092075189X.
Neon Eulogy: Vancouver Café and Street. Victoria: Ekstasis Editions, 2001. 157 pp. 1896860923.
“Little Boxes,” Vancouver STEP 4, no. 2 (1993): 36-38, 40.
The Transforming Image: Painted Arts of Northwest Coast First Nations. Vancouver: Douglas and McIntyre, 2007. 291 pp. 9781553652625.
“Looking into the Canon: Art Curriculum in British Columbia.” PhD. Simon Fraser University, 2002. https://bac-lac.on.worldcat.org/oclc/56682364.
Theses Dissertations and Graduate Projects education visual arts
“Contested notions of energy justice and energy futures in struggles over tar sands development in British Columbia, Canada,” Collections: A Journal for Museum and Archives Professionals 1, no. 18 (2022): 84-95, http://journals.sagepub.com/doi/10.1177/15501906211072908.
“Smart Art: Whistler, British Columbia's Brand Transition to Include Arts and Culture,” Journal of Public Affairs 2, no. 18 (2018): 1-7.
Vancouver: A Photographic Portrait. Ottawa: Magic Light Publishing, 2006. 32 pp. 1894673263.
Visions of the North, Native Art of the Northwest Coast. San Francisco: Chronicle Books, 1995. 120 pp.