“They know what they like [the B.C. art scene],” Vancouver 15, no. 9 (1982): 40-48.
Results (569)
“Kelowna Art Gallery: Creating a Cultural Destination,” Artichoke: Writings about the Visual Arts 12, no. 2 12-14.
A Sense of Place: Art at Vancouver International Airport. Vancouver: Figure I, 2015. 128 pp. 9781927958261.
“Painter's Art Hits Close to Home,” Georgia Straight 32, no. 1580 (1998): 59.
Coincident. Don Gill, writer; Lorna Brown, curator, Vancouver: Artspeak, 2003. 15 pp. 0921394454.
“UBC Film School Turns Out Pros,” Playback 15, no. 5 (2000): 42.
“Sovereign Graffiti on Haida Gwaii: A Photo Essay” BC Studies, (2022) https://ojs.library.ubc.ca/index.php/bcstudies/article/view/196174 ; https://doi.org/10.14288/bcs.no214.196174 .
“Looking North: The Ethnology Collection of the Alaska Museum,” American Indian Art 23, no. 4 (1998): 68-79.
“Commercially Hot,” The Alumni UBC Chronicle 45, no. 3 (1988): 9-11, https://dx.doi.org/10.14288/1.0224350.
“The St. Ann's Academy Art Studio,” British Columbia Historical News 35, no. 4 (2002): 15-17, https://dx.doi.org/10.14288/1.0190525.
Journal Articles education history Post-Confederation Pre-Confederation visual arts
The Biographical Directory of Native American Painters. Norman: University of Oklahoma Press, 1995. 711 pp.
“An Insufficient Record//Exploring the photo-ethics of preserving of Black Vancouver.” MFA. Ontario College of Art & Design University, 2022. http://openresearch.ocadu.ca/id/eprint/3763.
Theses Dissertations and Graduate Projects archival science Black people race and racism visual arts
Won Ju Lim: Elysian Field North. Essay by Melanie O'Brian, photographs by Fredrik Nilsen, Vancouver: Vancouver Art Gallery, 2002. 4 pp. 1895442419.
Pnina Granirer: Portrait of an Artist. Vancouver: Ronsdale Press, 1997. 196 pp.
“An Explanatory, Descriptive Study of Art Museum Educators' Attitudes in Regard to Art Museum-Elementary School Collaboration.” PhD diss. University of British Columbia, 1999. https://dx.doi.org/10.14288/1.0054893.
Theses Dissertations and Graduate Projects education museology visual arts
Planning and Feasibility Study for the Kamloops Art Gallery. Toronto: Lord Cultural Resources Planning & Management Inc, 1993. 165 pp.
Facing History: Portraits From Vancouver. Vancouver: Arsenal Pulp Press, 2002. 159 pp. 155152127X.
Books and Chapters in Books history Post-Confederation visual arts
The Victoria Sketch Club: A Centennial Celebration, 1909-2009. Victoria: Victoria Sketch Club, 2009. 58 pp. 9780981100906.
“Vancouver's Olympic Decade from the Professional Arts Perspective,” Canadian Theatre Review 164 (2015): 51-56.
“The Needle Art of Kathleen O'Reilly,” British Columbia Historical News 35, no. 4 (2002): 12-14, https://dx.doi.org/10.14288/1.0190525.
“Six New Vancouver Modern,” Canadian Art Summer (1998): 46-51.
Stan Douglas: Inconsolable Memories. Vancouver: Morris and Helen Belkin Art Gallery, 2005. 151 pp. 088865636x.
Haida Monumental Art: Villages of the Queen Charlotte Islands. Vancouver, BC: UBC Press, 2015. 228 pp.
“Prehistoric art of the northern Northwest Coast,” Archaeology Press (1983): 99-120, http://archpress.lib.sfu.ca/index.php/archpress/catalog/book/46.
The Underside of Shadows. Curated by Lorna Brown, Vancouver: Artspeak, 2002. 0921394373.
“Painting the Town,” Canadian Heritage 14, no. 3 (1988): 22-25.
“The Painter (Tyee) Boat,” Material History Review no. 60 (2004): 70-77, https://journals.lib.unb.ca/index.php/MCR/article/view/18002.
The Legacy: Tradition and Innovation in Northwest Coast Indian Art. Victoria: Royal BC Museum, 2007. 193 pp. 9780772656094.
The legacy: tradition and innovation in Northwest Coast Indian art. (Originally published: Victoria, British Columbia Provincial Museum, 1980), Vancouver: Douglas & McIntyre, 1984. 193 pp.
“Radical, Bureaucratic, Melancholic, Schizophrenic: Texts As Community,” Canadian Art 18, no. 2 (2001): 50-56.