“Productivity and its contraints: a Coast Salish case,” Archaeology Press (1983): 67-87, http://archpress.lib.sfu.ca/index.php/archpress/catalog/book/46.
Results (569)
“Bus Griffiths,” Forestalk 5, no. 4 (1981): 9-11, https://www.for.gov.bc.ca/hfd/library/forestalk.htm.
“Re-presenting Invisibility: Ghostly Aesthetics in Rebecca Belmore's Vigil and The Named and the Unnamed,” Visual Studies 1, no. 30 (2015): 20-31.
Journal Articles downtown eastside gender Indigenous visual arts
Salish Elders: Portraits of Elders of the Interior Salish of British Columbia, Canada. Prince George: Caitlin Press, 2003. 76 pp. 0920576982.
Books and Chapters in Books biography Indigenous visual arts
“Being on the Northwest Coast: Emily Carr, Canadian,” Pacific Northwest Quarterly 90, no. 4 (1999): 182-90.
Journal Articles biography history Post-Confederation visual arts
The Art of Survival/La survivance et l'art. Catalogue of an Exhibition, Royal Ontario Museum, December 12, 1987-February 21, 1988, Ottawa: Canadian Wildlife Federation, 1987. 64 pp.
“The Transforming Image: Painted Arts of Northwest Coast First Nations,” Artichoke 13, no. 4 (2002): 34-35.
Frank Gowen's Vancouver, 1914-1951. Surrey: Heritage House, 2001. 176 pp. 1894384253.
Books and Chapters in Books history Post-Confederation visual arts
Philip Timms’ Vancouver: 1900-1910. Surrey: Heritage House, 2006. 192 pp. 9781894974189.
Masteworks from the Audain Art Museum, Whistler. Vancouver: Figure I, 2015. 200 pp. 9781927928490.
Takao Tanabe. Vancouver: Douglas & McIntyre, 2005. 172 pp.
Challenging Traditions: Contemporary First Nations Art of the Northwest Coast. Vancouver: Douglas and McIntyre, 2009. 156 pp. 9781553654148.
E.J. Hughes. Vancouver: Douglas and McIntyre, 2002. 225 pp. 1550548999.
Emily Carr: Collected. Vancouver: Douglas & McIntyre, 2013. 152 pp.
Form + Meaning, the Drawings of B.C. Binning. Vancouver: Charles H. Scott Gallery. Emily Carr Institute of Art & Design, 1997. 48 pp.
Gordon Smith, the Art of Painting. Vancouver: Vancouver Art Gallery, 1997. 161 pp.
Robert Davidson, Eagle of the Dawn. Vancouver: Douglas & McIntyre, 1993. 180 pp.
“Photography of the Indian: Concept and Practice on the Northwest Coast,” BC Studies 52 (1982): 61-85, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/1109/1153.
Women's Work, Women's Art: Nineteenth-Century Northern Athapaskan Clothing. Montreal, QC: McGill-Queen's University Press, 2013. 336 pp. 9780773541597.
Crow's shells: artistic basketry of Puget Sounds. Seattle: Dushuyay Publications, 1983. 80 pp.
Shashin: Japanese Canadian Photography to 1942. Burnaby: Japanese Canadian National Museum, 2005. 96 pp.
Books and Chapters in Books history Japanese Post-Confederation visual arts
“Wells Theatre Reopens,” British Columbia Magazine 49, no. 2 (2007): 23.
“Policy and protocol in Indigenous theatre projects: Hul’q’umi’num’ voices, consensus and relationality,” Research in Drama Education: The Journal of Applied Theatre and Performance 3, no. 27 (2022): 326-342, https://www.tandfonline.com/doi/full/10.1080/13569783.2022.2083490 ; http://10.1080/13569783.2022.2083490 .
“The Space Between Us: Exploring Colonization And Injustice Through Red: A Haida Manga.” MPC. Ryerson University, 2021. https://rshare.library.ryerson.ca/articles/thesis/The_Space_Between_Us_Exploring_Colonization_And_Injustice_Through_Red_A_Haida_Manga/19157798/1.
Theses Dissertations and Graduate Projects Indigenous visual arts
“The Prison Garden as Artistic Boundary Object: Fostering Food Sovereignty and Social Citizenship for Indigenous People in British Columbia,” BC Studies 202 (2019): 99-123, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/190438/188806.
Made in British Columbia: Eight Studies in Artistic Achievement. Madeira Park, BC: Harbour Publishing, 2015. 240 pp. 9781550177299.
Books and Chapters in Books biography history Indigenous visual arts
“'A Paste Solitare in a Steel Claw Setting': Emily Carr and Her Public,” BC Studies 20 (1974): 3-14, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/788/831.
“In Reply,” BC Studies 24 (1975): 89, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/821/864.
Rebecca Belmore: The Named and the Unnamed. Vancouver: Morris and Helen Belkin Art Gallery, 2003. 61 pp. 888656289.
“Circulating Aboriginality,” Journal of Material Culture 9, no. 2 (2004): 183-202, https://doi.org/10.1177/135918350404437.