“See or Be Seen,” Afterimage 28, no. 5 (2001): 8.
Results (569)
“Artifact as Art: The Denver Art Museum's New Gallery of American Indian Art,” American Indian Art Magazine 13, no. 4 (1988): 58-65.
“Late Night Reflections on Another Morning: The Drama of Japanese Canadians,” Canadian Theatre Review 56 (1988): 12-15.
“Creating a Community of Theatre,” Canadian Dimension 41, no. 5 (2007): 57.
“A Subversive Etiquette: Yoko Takashima Delivers Sophisticated Subtle Video Works,” Canadian Art Summer (1998): 34-36.
“Thoughts on the Meaning of Return: hkg><yvr,” Journal of Visual Culture 6, no. 3 (2007): 333-341.
The rise and fall of the Peanut Party — journal: twenty days in November. AIR #27, Vancouver: AIR, 1976. 82 pp. 0-88964-005-x.
Bounce / In Through the Out Door. Toronto: Power Plant, 2002. 63 pp. 0921047924.
“Review Essay - Trickster's Turn: New Books on Bill Reid,” BC Studies 146 (2005): 93-100, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/1759/1804.
Unsettling Encounters: First Nations Imagery in the Art of Emily Carr. Vancouver: UBC Press, 2006. 386 pp. 077481282.
Books and Chapters in Books history Indigenous Post-Confederation visual arts
Carrying on “Irregardless”: Humour in Contemporary Northwest Coast Art. Madeira Park, BC: Harbour Publishing, 2012. 120 pp.
“Canadian Art According to Emily Carr: : The Search for Indigenous Expression,” Canadian Literature no. 185 (2005): 43-57, https://canlit.ca/full-issue/?issue=185.
“Like Rain Drops Rolling Down New Paint': Chinese Immigrants, and the Problem of National Identity in the Work of Emily Carr,” American Review of Canadian Studies 34, no. 3 (2004): 415-438, https://doi.org/10.1080/02722010409481206.
Journal Articles Chinese history Post-Confederation race and racism visual arts
Norval Morisseau: Travels to the House of Invention. Toronto: Key Porter Books, 1997. 128 pp.
Beyond the Whales: The Photographs and Passions of Alexandra Morton. Victoria: TouchWood Editions, 2004. 133 pp. 1894898230.
Books and Chapters in Books environmental studies visual arts
“ntercultural Communication and Murals: Critical Visual and Discursive Analysis of Cultural Identifications and Representations in Mural Programs in Philadelphia, Pennsylvania and Chemainus, British Columbia.” PhD. University of Denver, 2005.
Theses Dissertations and Graduate Projects communications visual arts
“Indian Art Comes to Light,” Canadian Geographic 108, no. 4 (1988): 66-70.
“Disrupting Colonialism: Weaving Indigeneity Into the Gallery in Schools Project of the Art Gallery of Greater Victoria.” MA. University of Victoria, 2019. https://dspace.library.uvic.ca//handle/1828/10515.
Theses Dissertations and Graduate Projects education Indigenous settler colonialism visual arts
Delving into Nature: Arnold Shives. Koln, Germany: Galerie Forum Lindenthal, 2001. 19 pp. 1894440021.
“Nick Bantock's Saltspring,” British Columbia Magazine 51, no. 1 (2009): 28-35.
“Native Images: Aboriginal British Columbia in the Late 19th Century,” Native Studies Review 11, no. 1 (1997): 131-137.
Journal Articles colonialism history Indigenous Post-Confederation visual arts
“Artist's Statement,” BC Studies 89 (1991): 131, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/1393/1437.
The Way Home. Vancouver, BC: UBC Press, On Point Press, 2019. 200 pp. 9780774890410 (pbk).
“Swannell's Album,” British Columbia Magazine 47, no. 1 (2005): 44-49.
Journal Articles geography history Indigenous Post-Confederation visual arts
“Land Spirit Power, First Nations at the National Gallery of Canada.” In Ottawa: The Gallery, 1992. 232.
“Connecting to the Art Market from Home: An Exploration of First Nations Artists in Alert Bay, British Columbia,” American Indian Culture and Research Journal 33, no. 1 (2009): 89-117.
“Pretty in Pink,” British Columbia Historical News 35, no. 4 (2002): 18-19, https://dx.doi.org/10.14288/1.0190525.
“Art in the community: four galleries show and tell,” Urban Reader 8, no. 1 (1980): 5-9.
Vancouver Light: Visions of a City. Madeira Park, BC: Harbour Publishing, 2014. 128 pp. 9781550176636.
Beyond Wilderness: The Group of Seven, Canadian Identity and Contemporary Art. Montreal: McGill-Queen's University Press, 2007. 390 pp. 9780773532441.