“News from the Northwest,” Canadian Art 10, no. 2 (1993): 46-51.
Results (569)
Native Art of the Northwest Coast: A History of Changing Ideas.. Vancouver: UBC Press, 2013. 1,120 pp. 9780774820493 (hc).
Art Inspired by the Canadian Rockies, Purcell Mountains and Selkirk Mountains 1809-2012.. Calgary: Bayeaux Arts, 2013. 250 pp. 9781897411377(pbk).
“New Media - Wrapped in the Cloud: An Interview with Meghann O’Brien and Conrad Sly,” BC Studies 200 (2019): 125-140, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/191470/188610.
Two Trees: A Celebration of Art, Ecology and Community. Burnaby: SFU Community Trust, 2005. 33 pp.
Marianna Schmidt. Essays by Robin Laurence, Darrin J. Martens, and Bill Jeffries, Burnaby: Burnaby Art Gallery, 2007. 79 pp. 9780973825190.
“Douglas Coupland: Spike,” Artichoke 13, no. 3 (2001): 25-27.
Vancouver art and artists, 1931-1983. Vancouver: Vancouver Art Gallery, 1983. 439 pp.
Vancouver Centennial Sculpture Symposium (1986). City Shapes: May-September 1986. Vancouver: The Symposium, 1986. 24 pp.
Arts Policy Report. Vancouver: The Board, 1994. 15 pp.
Cultural directions for Vancouver; A Policy Guide for the 1990's. Vancouver: The Department, 1987. 57 pp.
“A Queen’s Drowning: Material Culture, Drama, and the Performance of a Technological Accident,” Symbolic Interaction 31, no. 2 (2008): 155-182.
John M. Horton, Mariner Artist. Surrey: Heritage House, 2007. 175 pp. 9781894974349.
“Bill Reid and the native renaissance,” Artscanada 32, no. 2 (1975): 12-20.
“Bruce Perry: Portrait of an Artist,” Arts Alive 3, no. 4 (1997): 19-20.
Tafoni: Natural Design of Weathered Stone. Langley: 18 Karat, 2009. 183 pp. 9780980995107.
“Voyage Through Two Worlds, the Sculpture of Bill Reid,” Border Crossings Fall (1992): 34-39.
“Becoming Documentary: Edward Curtis’s ‘In the Land of the Headhunters’ and the Politics of Archival Reconstruction,” Canadian Review of American Studies 36, no. 3 (2006): 293-309.
“Some early British Columbia views and their photographic sources,” The Beaver 314, no. 1 (1983): 44-51, https://canadashistory.partica.online/canadas-history/the-beaver-summer-1983/flipbook/44/.
“The Irreconcilable Volatility of Bloody Betty & the Online Archive.” MA. University of Maryland, 2017.
Theses Dissertations and Graduate Projects archival science gender new media visual arts
Ian Wallace: At the Intersection of Painting and Photography. London: Black Dog Publishing, 2012. 352 pp. 9781907317576 (pbk).
“Clayoquot Protest (August 9, 1993),” Canadian Art Summer (1998): 52-57.
Journal Articles environmental studies forestry Indigenous visual arts
Whispered Art History: Twenty Years at the Western Front. Vancouver: Arsenal Pulp Press, 1993. 226 pp.
“How Shall I Frame Myself?,” British Columbia Historical News 35, no. 4 (2002): 26-37, https://dx.doi.org/10.14288/1.0190525.
“A Nation of Artists: Alice Ravenhill and the British Columbia Society for the Furtherance of Indian Arts and Crafts,” BC Studies 178 (2013): 51-70, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/182389/184045.
“Some Discoveries in Northwest Coast Indian Art,” American Indian Art Magazine 18, no. 2 (1993): 46-55.
Jerry Pethick's Time Top Project. Vancouver: Concord Pacific Group, 2007. 43 pp. 9780978350307.
“Whose Nations?,” Canadian Art 10, no. 1 (1993): 34-43.
Exponential Future: Tim Lee, Alex Morrison, Isabelle Pauwels, Kevin Schmidt, Mark Soo, Corin Sworn, Althea Thauberger, Elizabeth Zvonar. Vancouver: Morris and Helen Belkin Art Gallery, University of British Columbia, 2008. 86 pp. 9780888657954.
Rainbows in our walls: art and stained glass in Vancouver, 1890-1940. Vancouver: Centennial Museum, 1980. 20 pp.
Books and Chapters in Books history Post-Confederation visual arts