Lookout: A Sculpture Installation in Vancouver. Vancouver: Dikeakos and Best, 2001. 79 pp. 0968919103.
Results (569)
The Dodds Family Collection of First People's Art, March 16-June 18, 2000. Oshawa, Ont: Robert McLaughlin Gallery, 2000. 6 pp.
Stan Douglas Mondramas and Loops. Vancouver: UBC Fine Arts Gallery, 1992. 59 pp.
Stan Douglas: Catalogue of an Exhibition. Vancouver: Vancouver Art Gallery, 1999. 134 pp.
“Apprentice to a lost art [Bill Reid],” Pacific Northwest 17, no. 8 (1983): 36-40.
“The world is as sharp as a knife: meaning in northern Northwest Coast art,” Archaeology Press (1983): 47-66, http://archpress.lib.sfu.ca/index.php/archpress/catalog/book/46.
“"Authenticity" and the Contemporary Northwest Coast Indian Art Market,” BC Studies 57 (1983): 99-111, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/1152/1196.
A guide to buying contemporary Northwest Coast Indian art. Vancouver: University of British Columbia Museum of Anthropology, 1983. 28 pp.
Bill Reid and Beyond: Expanding on Modern Native Art. Vancouver: Douglas and McIntyre, 2004. 309 pp. 1553650069.
“Make Yourself (Un)comfortable: Lawrence Paul Yuxweluptun at the Museum,” BC Studies 199 (2018): 113-127, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/190288/187067.
“Ministry Directions for Curriculum Change in the Fine Arts.” In Arts North, 1996. 1,3.
Paul Kane's Great Nor-West. Vancouver: UBC Press, 1995. 158 pp.
Books and Chapters in Books history Pre-Confederation visual arts
Designing a Modern Identity: The New Spirit of British Columbia, 1945-60. Kelowna: Kelowna Art Gallery, 2001. 1896749151.
Books and Chapters in Books history Post-Confederation visual arts
Modern Life: Art and Design in British Columbia, 1945-1960. Vancouver: Arsenal Pulp Press, 2004. 175 pp. 1551521717.
Books and Chapters in Books history Post-Confederation visual arts
Tsimshian Treasures: The Remarkable Journey of the Dundas Collection. Vancouver: Douglas and McIntyre, 2007. 143 pp. 9781553653325.
Ginger Goodwin: A Worker's Friend. Toronto: Between the Lines, 2015. 114 pp. 9781771132268.
Graduation Catalogue 2000. Vancouver: Emily Carr Institute of Art and Design, 2000. 205 pp.
“The Thing in the Head That's There, a Conversation with Gathie Falk,” Border Crossings 12, no. 2 (1993): 12-23.
West Coast, Homeland of Mist. Vancouver: Summer Wild Productions/Raincoast Books dist, 1992.
“The Death and Life of the Single-Family House: Lessons from Vancouver on Building a Livable City,” Canadian Journal of Urban Research 1, no. 26 (2017): 64-65.
“ReCollecting: An Annex to the Vancouver Maritime Museum in British Columbia.” March. DalTech - Dalhousie University, 2002. https://bac-lac.on.worldcat.org/oclc/56329131.
Theses Dissertations and Graduate Projects architecture museology visual arts
Barns: From Our Pioneers, Builders of a Nation. Surrey: Hancock House, 2005. 72 pp.
Books and Chapters in Books history Post-Confederation Pre-Confederation visual arts
“An Indian artist [Roy Vickers] interprets his natural heritage,” Discovery 7, no. 4 (1979): 107-112.
Gathie Falk. [Exhibition catalogue], Vancouver: Douglas & McIntyre, in conjunction with the Vancouver Art Gallery, 162 pp. 1550547453.
Objects of Myth and Memory: American Indian Art at the Brooklyn Museum. Seattle: University of Washington Press, 1993. 320 pp.
Geoffrey Farmer. Essays by Peter Culley and Reid Shier, Vancouver: Contemporary Art Gallery, 2003. 32 pp. 920751865.
"A Woman's Place": Art and the Role of Women in the Cultural Formation of Victoria, BC 1850s-1920s. Victoria: Maltwood Art Museum and Gallery, University of Victoria, 2004. 129 pp. 1550582887.
Books and Chapters in Books gender history Post-Confederation Pre-Confederation visual arts
Haida Gwaii, Queen Charlotte Islands: Land of Mountains, Mist and Myth. Halifax: Nimbus, 2006. 88 pp. 1551095688.
What's Wong?: Explicit Graphic Interpretations Against Censorship. Vancouver: Arsenal Pulp Press, 2002. 159 pp. 1551521369.
“Labour, gold and art: William G. R. Hind,” Vanguard (1981): 10-15.