“Theatrical Activism in Vancouver: From the Native Brotherhood and Sisterhood of BC to Marie Clement's The Road Forward and Back…,” Canadian Theatre Review 164 (2015): 44-50.
Journal Articles 2010 Vancouver Olympics Indigenous new media visual arts
Results (569)
“Theatrical Activism in Vancouver: From the Native Brotherhood and Sisterhood of BC to Marie Clement's The Road Forward and Back…,” Canadian Theatre Review 164 (2015): 44-50.
Journal Articles 2010 Vancouver Olympics Indigenous new media visual arts
The Kwakwaka’wakw Art of Kota – Rooted in Cultural Traditions, Re- Routed to Language Reawakening. New York: Routledge, 2023. 228-239 pp.
The Laughing One: A Journey to Emily Carr. Toronto: HarperCollins, 2001. 495 pp. 0002000628.
Books and Chapters in Books biography history Post-Confederation visual arts
“Culture in the Crunch,” Canadian Forum 821 (1993): 12-17.
Opposite Contraries: The Unknown Journals of Emily Carr and Other Writings. Vancouver: Douglas and McIntyre, 2003. 249 pp. 1550548964.
“Acting Inside Out: Headlines Theatre Sets the Stage for Community Expression,” Alternatives 32, no. 4-5 (2006): 13.
“Stan Douglas and the Aesthetic Critique of Urban Decline,” Cultural Studies / Critical Methodologies 3, no. 1 (2003): 8-21.
Susan Point: Works on Paper. Vancouver: Figure 1 Publishing, 2014. 192 pp. 9780991858897.
Books and Chapters in Books biography Indigenous visual arts
“The story of the first B.C. selfie, shot in the 1800s” (2019) BC was Awesome: Uncovering our curious History, https://www.youtube.com/watch?v=3MhTZtUxg9E&list=PLjiAtBk7yDGgsKkxgzDXeQtgwINFMvzOT&index=23.
Audiovisual Materials gender history Post-Confederation visual arts
“This Vernon artist was kept captive for years” (2019) BC was Awesome: Uncovering our curious History, https://www.youtube.com/watch?v=po9crOdRVFg&list=PLjiAtBk7yDGgsKkxgzDXeQtgwINFMvzOT&index=15.
Audiovisual Materials history Post-Confederation visual arts
“Gathie Falk: A Retrospective,” CMAJ: Canadian Medical Association Journal 165 (2001): 803-805, https://www.cmaj.ca/content/165/6/803.
“A Debt Acknowledged: Iby Koerner’s Contribution to Vancouver,” British Columbia History 39, no. 2 (2006): 12-20, https://open.library.ubc.ca/collections/bch/items/1.0190697#p0z-5r0f:.
Journal Articles biography history Post-Confederation visual arts
A Mountain Year: Nature Diary of a Wildnerness Dweller. Madeira Park: Harbour Publishing, 2008. 175 pp. 9781550174410.
Masks from Around the World: A Personal Collection. Vancouver: Granville Island Publishing, 2006. 82 pp. 9781894694452.
Books and Chapters in Books anthropology Indigenous visual arts
“More Than Art, Less Than Work: The Paradoxes of Citizenship and Art Making in Community Mental Health,” BC Studies 202 (2019): 41-63, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/190424/188804.
“Totem Pole Restoration on the Skeena, 1925-30: An Early Exercise in Heritage Conservation,” BC Studies 47 (1980): 29-48, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/1069/1113.
Robert Davidson: The Abstract Edge. Edited by Karen Duffek, Vancouver: Museum of Anthropology at the University of British Columbia in association with the National Gallery of Canada, 2004. 64 pp. 888652372.
“Art-Craft Practice Exemplars: Making Space for Art, Healing, and Community,” BC Studies 202 (2019): 151-154, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/191829/188808.
Connections: 4 Artists Project, Celebrating 25 years of Bringing Contemporary Art and Community Together at the Surrey Art Gallery. Surrey: Surrey Art Gallery, 2001. 092018149X.
Hot Clay: Sixteen West Coast Ceramic Artists. Surrey: Surrey Art Gallery, 2004. 72 pp. 920181600.
So Much More Than Art: Indigenous Miniatures of the Pacific Northwest. Vancouver: UBC Press, 2021. 224 pp. 9780774866552.
Books and Chapters in Books anthropology Indigenous museology visual arts
Understanding Northwest Coast Indigenous Jewelry: The Art, the Artists, the History. Seattle: University of Washington Press, 2019. 192 pp. 9780295745893 (pbk).
“Cross-Border Trading: Mungo Martin Carves for the World of Tomorrow,” BC Studies 159 (2008): 7-44, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/577/620.
“Review Essay - The Enigma of Emily Carr,” BC Studies 152 (2007): 97-103, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/672/718.
National Visions, National Blindness: Canadian Art and Identities in the 1920s. Vancouver: UBC Press, 2006. 446 pp. 9780774812177.
Books and Chapters in Books history Post-Confederation visual arts
“How Canada Stole the Idea of Native Art: The Group of Seven and Images of the Indian in the 1920’s.” PhD. University of British Columbia, 2002. https://dx.doi.org/10.14288/1.0090530.
Theses Dissertations and Graduate Projects history Indigenous Post-Confederation visual arts
“Only in Canada, Sam Carter's West Coast Interpretation of the Canadian Arts and Crafts Movement,” City & Country Home 12, no. 4 (1993): 36-41.
The Tradition Continues: Monumental Sculpture in the Gitanyow and Gitxsan Territories, 1986-1996. Thunder Bay, Ont: H.J.T. Demetzer, 2005. 213 pp.
“Forward with The Road Forward: A Conversation with Marie Clements,” Canadian Theatre Review 164 (2015): 36-43.
Journal Articles 2010 Vancouver Olympics Indigenous new media visual arts
Ian Wallace: Selected Works, 1970-1987. Catalogue of an Exhibition, February 5-April 3, 1988, Vancouver: The Art Gallery, 1988. 84 pp.
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