Robert Davidson: Abstract Impulse.. Seattle: Seattle Art Museum, 2013. 104 pp. 9780932216694 (pbk).
Books and Chapters in Books biography history Indigenous visual arts
Results (569)
Robert Davidson: Abstract Impulse.. Seattle: Seattle Art Museum, 2013. 104 pp. 9780932216694 (pbk).
Books and Chapters in Books biography history Indigenous visual arts
“Work 2 Give: Fostering Collective Citizenship through Artistic and Healing Spaces for Indigenous Inmates and Communities in British Columbia,” BC Studies 202 (2019): 21-40, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/191828/188802.
“Digital Natives,” Canadian Theatre Review 164 (2015): 31-35.
Native Visions: Evolution in Northwest Coast Art from the Eighteenth through the Twentieth Century. Vancouver: Douglas & McIntyre, 1998. 216 pp.
“Sun Dogs and Eagle Down: The Indian Paintings of Bill Holm,” Columbia 20, no. 4 (2007): 24-31.
“Turning the Tables: The Influence of Nineteenth-Century Southern Design Styles on the Northern Northwest Coast,” American Indian Art Magazine 25, no. 3 48-55.
Spirits of the Water: Native Art Collected on Expeditions to Alaska and British Columbia, 1772-1910. [Exhibition organized by Fundaciôn "la Caixa," Barcelona], Seattle / Vancouver: University of Washington Press / Douglas & McIntyre, 207 pp. 1550547127.
Books and Chapters in Books history Indigenous Post-Confederation Pre-Confederation visual arts
“Moricetown Community Complex,” Award 16, no. 1 (2002): 14-15.
“The Distance between Vancouver, British Columbia and Lunenberg, Nova Scotia Has to Be Measured in More than Just Miles, Particularly if the B.C. Film Industry Is the Traveller,” Reel West Magazine 8, no. 3 (1993): 26-27.
“A Vision for the Visual Arts in Powell River.” MA. Royal Roads University, 2005.
“Charting the Course of the Pacific New Wave,” CineAction no. 61 (2003): 28-33.
“The Raging Grannies,” Canadian Theatre Review 72 (1992): 21-24.
“Arts & politics: the wrong sex,” Canadian Forum 64, no. 741 (1984): 29-30, 32-33.
“Lessons of the backlist: A curatorial and editorial analysis of the Vancouver Art Gallery's catalogues 1967–2022.” Simon Fraser University, 2023. https://sfu-primo.hosted.exlibrisgroup.com/permalink/f/usv8m3/01SFUL_ALMA51447800000003611.
Theses Dissertations and Graduate Projects history Post-Confederation visual arts
“Alpha Girl,” Canadian Art 23, no. 2 (2006): 60-63.
“The Outlaw,” Canadian Art 26, no. 2 (2009): 42-47.
“The World According to Doug,” Canadian Art 23, no. 3 (2006): 100-103.
Supernatural Neil Campbell, Beau Dick: An Exhibition. Curated by Roy Arden, Vancouver: Contemporary Art Gallery, 2004. 31 pp. 092075192X.
W.G.R. Hind. by J. Russell Harper, Ottawa: National Gallery of Canada, 1976. 91 pp. 0-88884-273-2.
“Intergenerational Dance in Long-Term Residential Care: Social Citizenship in Dementia Care,” BC Studies 202 (2019): 167-178, https://ojs.library.ubc.ca/index.php/bcstudies/article/view/190767.
James Carl: Plot. Essays by Robin Peck, interview with James Carl by Christina Richie, Vancouver: Contemporary Art Gallery, 2003. 47 pp. 0920751873.
“Change and continuity in Northwest Coast art,” Archaeology Press (1983): 197-205, http://archpress.lib.sfu.ca/index.php/archpress/catalog/book/46.
“Prehistoric art of the central coast of British Columbia,” Archaeology Press (1983): 121-29, http://archpress.lib.sfu.ca/index.php/archpress/catalog/book/46.
“Prehistory of the Northwest Coast,” Archaeology Press (1983): 13-32, http://archpress.lib.sfu.ca/index.php/archpress/catalog/book/46.
“Michael Nicoll Yahgulanaas, Haida Manga, and the Political Possibilities of Comics Art.” In Postindian Aesthetics: Affirming Indigenous Literary Sovereignty. Tucson, Arizona: University of Arizona Press, 2022. 78-86 pp.
Back to the Land: Ceramics from Vancouver Island and the Gulf Islands 1970-1985. Victoria, BC: Art Gallery of Greater Victoria, 2012. 95 pp. 9780888853691 (pbk).
Emily Carr: New Perspectives on a Canadian Icon. Charles C. Hill, Johanna Lamoreaux, Ian M. Thom, curators. Essays by Jay Stewart, Ottawa: National Gallery of Canada, 2006. 335 pp. 9781553651734.
Flirt, Punk & Loo, My Dogs and I. Vancouver: Douglas & McIntyre, 1997. 62 pp.
Pause: A Sketch Book. Introduced by Ian M. Thom, Vancouver: Douglas and McIntyre, 2007. 176 pp. 9781553652298.
This and That. Edited by Ann-Lee Switzer, Victoria: Ti-Jean Press, 2007. 206 pp. 9781896627144.
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