We acknowledge that we live and work on unceded Indigenous territories and we thank the Musqueam, Squamish and Tsleil-Waututh Nations for their hospitality.

Index

Results (516)

Exhibition, Film, and New Media Review

In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights

On the closing day of the Museum of Anthropology’s Unceded Territories exhibit of Lawrence Paul Yuxweluptun’s art, crowds formed queues long enough to snake through the halls and to pack the exhibit space for the...

Review by Sarah King


Yuxweluptun Lawrence Paul

Exhibition, Film, and New Media Review

Is the World Wonderful? On Judy Chartrand’s What a Wonderful World

Judy Chartrand: What a Wonderful World on view at the Bill Reid Gallery of Northwest Coast Art, Vancouver, BC, 19 October 2016 – 26 March 2017. Admittedly, I was confused about where the permanent collection...

Review by Allison Adler


art

review essay

“Reading” Rock Art: One Sense/Many Senses

Review by Michael M'Gonigle, Wendy Wickwire


review essay

Exhibition, Film, and New Media Review

Now Is the Time

In the extraordinary short film Now Is the Time, Haida filmmaker Christopher Auchter brings to the screen a moving story of renewal through the restoration and re-editing of footage from the National Film Board of...

Review by Kristin L. Dowell


museums repatriation aboriginal self government colonialism settler colonialism aboriginal art aboriginal rights Haida Indigenous worlds

Exhibition, Film, and New Media Review

Screen Sovereignty: Indigenous Matriarch 4 Articulating the Future of Indigenous VR

 Indigenous matriarchs are changing the culture of the technology industry through virtual reality (VR). Indigenous Matriarch 4 (IM4) is the first Indigenous virtual reality media lab and is situated on the West Coast. Currently, it...

Review by Courteney Morin


new media technology virtual reality aboriginal art

Exhibition, Film, and New Media Review

Pop Culture Confronts British Columbia’s Colonial History

Grand Theft Terra Firma: A Game of Imperial Stickup, Abbotsford, British Columbia, the Reach Gallery Museum, 17 January – 7 May 2017. The exhibition is augmented by several public events, including a live theatrical performance...

Review by Erika Balcombe


Exhibition, Film, and New Media Review

Uninterrupted

Editorial note: Uninterrupted is reviewed here following its role as inspiration for a nightly ‘cinematic spectacle’ on Vancouver’s Cambie Street Bridge during the summer of 2017 (see uninterrupted.ca). Uninterrupted, a film about a very special...

Review by Nick Stanger


Exhibition, Film, and New Media Review

A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival

Vancouver Indigenous Media Arts Festival: Vancouver, British Columbia, 25-26 May 2017. The festival featured film and new media presentations, including a “Turtle Island Shorts” program (May 26); VR and augmented reality presentations (May 27); and...

Review by Carleigh Baker


aboriginal art

Exhibition, Film, and New Media Review

When the City Sleeps, We Dream of Disruption: A Review of Lisa Jackson’s Transmissions Exhibition

Lisa Jackson’s exhibition entitled Transmissions premiered at the Simon Fraser University’s Vancouver campus from 6–28 September 2019. This new body of work weaves interdisciplinary themes regarding society, nature, Indigenous languages, and ecological futures. Lisa Jackson is Anishinaabe from the Aamjiwnaang First Nation and...

Review by Karlene Harvey


Aboriginal languages environment urbanization

Exhibition, Film, and New Media Review

Reflexive Anthropology on Display: Franz Boas, George Hunt, and the Co-Production of Ethnographic Knowledge

  A portion of an 1897 letter from Franz Boas to Kwagu’ł Chiefs, reproduced in English and Kwak’wala, opens The Story Box: Franz Boas, George Hunt and the Making of Anthropology, an exhibition on view...

Review by Christopher T. Green


Kwakwaka'wakw U'mista Cultural Centre Boas Franz George Hunt

Book Review

Civilian Internment in Canada: Histories and Legacies

“There is no single historiography of internment” in Canada, write Rhonda L. Hinter and Jim Mochoruk in the introduction of this ambitious collection of essays (9-10). Siloed histories of particular internments, they suggest, convey episodic...

Review by Jordan Stanger-Ross