Index

In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights

On the closing day of the Museum of Anthropology’s Unceded Territories exhibit of Lawrence Paul Yuxweluptun’s art, crowds formed queues long enough to snake through the halls and to pack the exhibit space for the...

Review by Sarah King

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BC Studies no. 193 Spring 2017 | Page(s) 187-192

Yuxweluptun Lawrence Paul

The Native Voice: The Story of How Maisie Hurley and Canada’s First Aboriginal Newspaper Changed a Nation

The Road Forward

Review by Tonio Sadik

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BC Studies no. 196 Winter 2017-2018 | Pages 154-156

Towards an Art History of Northwest Coast First Nations: A Review Essay of Recent Literature

Northwest Coast Indian Painting: House Fronts and Interior Screens

The Transforming Image: Painted Arts of Northwest Coast First Nations

Spirits of the Water: Native Art Collected on Expeditions to Alaska and British Columbia, 1774-1910

Review by Ira Jacknis

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BC Studies no. 135 Autumn 2002 | Pages 187-95

Is the World Wonderful? On Judy Chartrand’s What a Wonderful World

Judy Chartrand: What a Wonderful World on view at the Bill Reid Gallery of Northwest Coast Art, Vancouver, BC, 19 October 2016 – 26 March 2017. Admittedly, I was confused about where the permanent collection...

Review by Allison Adler

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BC Studies no. 195 Autumn 2017 | Page(s) 145-149

art

Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made to Be Ready

Review by Julia Polyck-O'Neill

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BC Studies no. 195 Autumn 2017 | Page(s) 129-244

“Reading” Rock Art: One Sense/Many Senses

Review by Michael M'Gonigle, Wendy Wickwire

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Regional Surveys of Northwest Coast Native Art

Review by Ira Jacknis

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BC Studies no. 155 Autumn 2007 | Page(s) 129-34

In the Midst of a Mental Health Crisis, We are Failing Rural and Aboriginal Youth

By Doug King

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Screen Sovereignty: Indigenous Matriarch 4 Articulating the Future of Indigenous VR

 Indigenous matriarchs are changing the culture of the technology industry through virtual reality (VR). Indigenous Matriarch 4 (IM4) is the first Indigenous virtual reality media lab and is situated on the West Coast. Currently, it...

Review by Courteney Morin

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BC Studies no. 201 Spring 2019 | Page(s) 141-146

new media technology virtual reality aboriginal art

Pop Culture Confronts British Columbia’s Colonial History

Grand Theft Terra Firma: A Game of Imperial Stickup, Abbotsford, British Columbia, the Reach Gallery Museum, 17 January – 7 May 2017. The exhibition is augmented by several public events, including a live theatrical performance...

Review by Erika Balcombe

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BC Studies no. 194 Summer 2017 | Page(s) 198-200

Uninterrupted

Editorial note: Uninterrupted is reviewed here following its role as inspiration for a nightly ‘cinematic spectacle’ on Vancouver’s Cambie Street Bridge during the summer of 2017 (see uninterrupted.ca). Uninterrupted, a film about a very special...

Review by Nick Stanger

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BC Studies no. 198 Summer 2018 | Page(s) 198-9

OBITUARY: William McLennan, 4 October 1948–3 July 2020, Curator Emeritus, Museum of Anthropology at UBC, Vancouver

By Anthony Alan Shelton

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BC Studies no. 207 Autumn 2020 | Page(s) 121-126

Museum of Anthropology (UBC) museums aboriginal art William (Bill) McLennan

Anniversary Issue Reflections – New Media – Wrapped in the Cloud: An Interview with Meghann O’Brien and Conrad Sly

By Hannah Turner, Kate Hennessy, Meghann O'Brien, Conrad Sly

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BC Studies no. 200 Winter 2019 – 50th Anniversary | Page(s) 125-140

new media photography weaving and spinning aboriginal art

Haida Emoji Project

By Jaalen Edenshaw

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BC Studies no. 205 Spring 2020 | Page(s) 7-9

myths and stories social media aboriginal art Haida

A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival

Vancouver Indigenous Media Arts Festival: Vancouver, British Columbia, 25-26 May 2017. The festival featured film and new media presentations, including a “Turtle Island Shorts” program (May 26); VR and augmented reality presentations (May 27); and...

Review by Carleigh Baker

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BC Studies no. 195 Autumn 2017 | Page(s) 151-159

aboriginal art

When the City Sleeps, We Dream of Disruption: A Review of Lisa Jackson’s Transmissions Exhibition

Lisa Jackson’s exhibition entitled Transmissions premiered at the Simon Fraser University’s Vancouver campus from 6–28 September 2019. This new body of work weaves interdisciplinary themes regarding society, nature, Indigenous languages, and ecological futures. Lisa Jackson is Anishinaabe from the Aamjiwnaang First Nation and...

Review by Karlene Harvey

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BC Studies no. 205 Spring 2020 | Page(s) 103-107

Aboriginal languages environment urbanization

“That’s My Dinner on Display” : A First Nations Reflection on Museum Culture

By Gloria Jean Frank

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BC Studies no. 125-126 Spring-Summer 2000 | Page(s) 163-78

historiography museums aboriginal people

Gyitwaalkt: A Dialogue on Tsimshian War and Metal

By Max Jacob Ritts, Spencer Greening

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BC Studies no. 198 Summer 2018 | Page(s) 153-162

music sound recordings aboriginal culture Tsimshian

Anniversary Issue Reflections – Through the Lens of the Land: Reflections from Archaeology, Ethnoecology, and Environmental Science on Collaborations with First Nations, 1970s to the Present

By Dana Lepofsky, Ken Lertzman

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BC Studies no. 200 Winter 2019 – 50th Anniversary | Page(s) 141-160

archaeology ethnobotany Aboriginal fisheries food

Anniversary Issue Reflections – Ti wa7 szwatenem. What we know: Indigenous knowledge and learning

By Lorna Williams

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BC Studies no. 200 Winter 2019 – 50th Anniversary | Page(s) 31-44

education colonialism resistance Aboriginal languages Lil'wat

Anniversary Issue Reflections – Photo Vignette – T’łisalagi’ lakw School, ‘Yalis (Alert Bay), BC, early days

By Dara Culhane

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BC Studies no. 200 Winter 2019 – 50th Anniversary | Page(s) 45-47

education Aboriginal languages Kwakwaka'wakw Alert Bay